tracking the rain publication

tracking the rain publication

Tracking the Rain Concertina

[concept] In reading Margaret Atwood’s poem Tracking the Rain, I felt a mix of delicate and desperate emotions that captured the subject’s experience of drought and longing for rain. I wanted to reflect how the words and meanings folded back on themselves, warping the sentences visually to connect with the poem’s descriptive ligatures. By carefully attending to typographic detailing, I aimed to influence how each word would be mentally pronounced by the reader, guiding the pace and tone of their internal reading experience. This approach mirrored the poem’s structure, resonating with my personal understanding of its layered and evocative essence.

[type] concertina
[material] cardboard paper
[tool] illustrator, indesign

tracking the rain publication

tracking the rain publication

Tracking the Rain Concertina

[concept] In reading Margaret Atwood’s poem Tracking the Rain, I felt a mix of delicate and desperate emotions that captured the subject’s experience of drought and longing for rain. I wanted to reflect how the words and meanings folded back on themselves, warping the sentences visually to connect with the poem’s descriptive ligatures. By carefully attending to typographic detailing, I aimed to influence how each word would be mentally pronounced by the reader, guiding the pace and tone of their internal reading experience. This approach mirrored the poem’s structure, resonating with my personal understanding of its layered and evocative essence.

[type] concertina
[material] cardboard paper
[tool] illustrator, indesign

tracking the rain publication

tracking the rain publication

Tracking the Rain Concertina

[concept] In reading Margaret Atwood’s poem Tracking the Rain, I felt a mix of delicate and desperate emotions that captured the subject’s experience of drought and longing for rain. I wanted to reflect how the words and meanings folded back on themselves, warping the sentences visually to connect with the poem’s descriptive ligatures. By carefully attending to typographic detailing, I aimed to influence how each word would be mentally pronounced by the reader, guiding the pace and tone of their internal reading experience. This approach mirrored the poem’s structure, resonating with my personal understanding of its layered and evocative essence.

[type] concertina
[material] cardboard paper
[tool] illustrator, indesign

Tracking the Rain Concertina

[concept] In reading Margaret Atwood’s poem Tracking the Rain, I felt a mix of delicate and desperate emotions that captured the subject’s experience of drought and longing for rain. I wanted to reflect how the words and meanings folded back on themselves, warping the sentences visually to connect with the poem’s descriptive ligatures. By carefully attending to typographic detailing, I aimed to influence how each word would be mentally pronounced by the reader, guiding the pace and tone of their internal reading experience. This approach mirrored the poem’s structure, resonating with my personal understanding of its layered and evocative essence.

[type] concertina
[material] cardboard paper
[tool] illustrator, indesign

tracking the rain publication

tracking the rain publication